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The Tempering
From the Movie by Bill Bryn Russell and Vina Lek
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T h e T e m p e r i n g From the movie... I see you staring, your familiar brown eyes staring back at me. That's all I see - dusty hair and frozen knuckles and lifeless legs and dry lifeless tan skin. I don't move, or else an unmoving image of me bursts to life for you real again perhaps and not just a dream, motivates a tensing on your brow toward a telling once again of loneliness and boredom -- perhaps envy? God, as I stand here my head clenches up tight inside and aches for hours afterwards; my heart feels as if it extends for every next beat and tears itself up in the course of it. I don't push the door, open it just a bit to see a litte more. If I remain just here, perhaps the pictures inside your head flow on free in your mental breeze (your mental breeze!). In your mental breeze the pictures flow just as they always have, in a mental sphere, I can only believe. And perhaps in these years they'll emerge a little more as real, claim in whisper a space, a real place, and mean something to you besides anguish and boredom. You, in an exact, exact space. No waiting, I guess, or informing, or affecting, or dispatching some wonderful sensibilities and fancies, or receiving from everybody who gives a hoot about you. Or gave a hoot. Or could just give it in that space absent the anxiety and terrible animal burden. Oh God when I stand here staring -- and arrested -- my head aches so much for you. I don't move, so much as a shiver. Or make a squeak. Those pictures moving on in your mental breeze, I do hope, take on a little bright life, take you with them, well, into a creation fundamentally so hidden from this world of ours. Your pictures of excellence, strong women and men dancing and detailing within the fog, running with such bursting energy and running and running, and yes! -- so tending carefully to details, the grooming and picking and stroking of hair and skin, in dance. The tiny movements in the atmosphere and superimposed onto fathomless exuberance, just like the colors washing over colors on paper. -- if you really think about it, my friend, not so contrary, not so abstract. The colors, dances and pictures flowing through the mind. Well, these friends of yours I guess live like gods, the impulsions of imaginations and desires, or like a celebration through time on timeless display, like a colorful flag flowing in the tempering for all beyond the boundaries of our human realm to see. The flag of our kind flowing. Yes, a symbol of us ornamented just in your hand and carried beyond to places unfamiliar, or at least really not so, after when this event passes on inevitably -- so goes the grand story of things. When happens the great resolve in our proceedings of scanty inhabiting, (and I imagine your diction, dogged punches of each hard sound in your promises), or perhaps the blinking out invisibly and mysteriously, maybe by mistake. How strange to consider it, my friend! To pass through to when, graspable or not, new personhood thrives, and such performances and poetry. Quite completely a new essence. Unspeakable not just in our minds, but by bodies and faces so wholly inappropriate. And while in these totalities the split of each unyielding, an epic of one about the other at best fantasy and speculation, and perhaps derivation by a later breed of the former, infinately retreats from each other world. Not so, because you lay open to the non-human realm. And as it is, bravo! To percieve with instinct and godlike connection another stirring of animal survival and ourselves -- oh God, my head hurts and heart aches. When the fog passes away like this, perhaps so moves an itching of enervated muscles, so suddenly dissuading torpidity -- frightening to surrender invisibility. How long has it been? Did I associate or dream? Sooth a spirit or enthrall one while another sickened to death? But I don't touch the door between you and me. I discern with great familiarity an entelechy of anger and frustration on that brow, once so much more in your personage and now like a laser of sunlight burning, the absence of all other faculty augmented into prominence and repugnance. Aw Jesus, am I anywhere close? Through the sliver -- a few inches more but enough to cover half my face and separate you completely from me -- I can see your eyes directed at mine, as always, and a skinny leg in sight, gaunt hide and a face. Once I saw you stirring: When knuckles of a fist whitened over the wooden arm of a chair, I thought I saw some stirring in them. Like color waves washing through the tides on bubbles about to burst, I thought I saw flickering inside them, the excitement of little waves dancing on pearls poised above oyster shells, five bone white pearls burped out from the deep inside and stuck there. For each, a little breeze that moved across the globe. I thought perhaps you sought the agitation of flesh, an ignition preceding the turning of gears -- or hands of time -- the chance to lift despair and a body from a chair. Not so bad or even important. Just imagine the outside, and the looking in. You need success and perhaps a little prayer. Pray a little. The tool is well. The concentration deep inside -- distraction hiding only, thus my tears reply. That's the main thing, concentration. And it's a dream. So the bubble burst, landing you right back in a chair in a dark room with dusty sunlight stirring between you and a greasy window behind your head, over a creaky wooden slatted floor, behind a dark and dusty door. And the longing and angry stare at me taking shape on your brow. With a thump of my heart inside my chest I turned away to sever a thread of wonderment and inanimation. With a terrible ache drowning in unconsciousness deep inside me, I left. Today I reflect on this while I stare at you and your brown eyes staring at mine. You, familiarity woven in over a body and face and eyes. God, I love you when I picture the way things used to be -- all still there, I'm so afraid. But this is where my flesh takes over. So with burdens in my head and aches in my heart, I prime muscles, rehearse the coordinations in a journey through a doorway to a dark hallway, and stare unblinking at your eyes staring back at me. |